Jun 30, 2020 | Pulp painting
The Cape Ann Seacoast, the inspiration for the painting. Like many of us, I am drawn to the primodial pull of the sea. For me, it is not just any seashore, but the north Atlantic, with its harsh terrain, ice cold water, and thunderous crashing waves. Here, rocks are...
Jan 22, 2020 | Pulp painting
In this short video, I demonstrate how I apply abaca, that has been beaten for 20+ hours, to the surface of the rock and water painting, to give the illusion of pebbled rocks.
Jul 21, 2017 | Pulp painting
Day four: Today I applied the background colors and reconfigured the palette. The sides of the painting are as of yet not glued to the back of the armature. That will happen sometime next week. My goal today is to shore up the details in the rock areas and add more...
Jul 11, 2017 | Pulp painting
Day one: Colored grids are measured by inches and 1/2 inches and marked up on the photographs. A corresponding grid pattern in 10 inch increments is marked onto surface of the painting. The surface is made up of beaten cotton and abaca pulp. I use a combination of...
Jul 10, 2017 | Pulp painting
I spent the day yesterday wandering the New England shoreline in search of just the right configuration of rocks, ocean waves, shoreline, seaweed, salt deposits and sea urchins for which I cannot name. After taking upwards of 235 photographs, I’ve settled on...
Oct 27, 2008 | Pulp painting
Pulp in small jars, ready to be applied to the surface of the painting with a plastic spoon. I love how I can use recycled materials such as plastic spoons in my work. I keep finding good use for cheap plastic spoons. I am often asked by viewers and other artists: why...
